Hale Aspacio Woodruff was a renowned artist and educator, attending the John Herron Art School in Indianapolis, Indiana; the Chicago Art Institute; Academie Moderne and Academie Scandinave in Paris, France; Fog Art Museum of Harvard University; and studying in Mexico with Diego Rivera. Woodruff began his teaching career at Atlanta University in 1931 helping to develop an art curriculum and build a strong faculty. Among his most noted achievements was the establishment of the Atlanta University Annual Exhibition of Paintings, Sculpture and Prints by Negro Artists, a national competition for new and established artists, held from 1942 through 1970. Woodruff left Atlanta University in 1946 to accept a position at New York University, where he retired in 1967. Among his most outstanding works are the murals - <em>The Amistad Mural</em>, and <em>The Founding of Talladega College</em>, Talladega College, Alabama, <em>The Art of the Negro</em>, Atlanta University, Georgia, <em>The Golden State Mural</em>, Golden State Mutual Life Insurance Company, California. This small collection about Hale Woodruff is primarily materials accumulated by Winifred Stoelting in doing research for her dissertation, <em>Hale Woodruff, Artist and Teacher: Through the Atlanta Years, Emory University</em>, 1978. Upon completion of the dissertation, Dr. Stoelting donated her research materials to the Atlanta University Trevor Arnett Library Negro Collection.

At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at DSD@auctr.edu.
Oct 22, 2020

Hale Woodruff Collection

Hale Aspacio Woodruff was a renowned artist and educator, attending the John Herron Art School in Indianapolis, Indiana; the Chicago Art Institute; Academie Moderne and Academie Scandinave in Paris, France; Fog Art Museum of Harvard University; and studying in Mexico with Diego Rivera. Woodruff began his teaching career at Atlanta University in 1931 helping to develop an art curriculum and build a strong faculty. Among his most noted achievements was the establishment of the Atlanta University Annual Exhibition of Paintings, Sculpture and Prints by Negro Artists, a national competition for new and established artists, held from 1942 through 1970. Woodruff left Atlanta University in 1946 to accept a position at New York University, where he retired in 1967. Among his most outstanding works are the murals - The Amistad Mural, and The Founding of Talladega College, Talladega College, Alabama, The Art of the Negro, Atlanta University, Georgia, The Golden State Mural, Golden State Mutual Life Insurance Company, California. This small collection about Hale Woodruff is primarily materials accumulated by Winifred Stoelting in doing research for her dissertation, Hale Woodruff, Artist and Teacher: Through the Atlanta Years, Emory University, 1978. Upon completion of the dissertation, Dr. Stoelting donated her research materials to the Atlanta University Trevor Arnett Library Negro Collection.

At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at DSD@auctr.edu.

Correspondence from Theresa Woodruff to Hallie Brooks regarding a memorial for Hale Woodruff. 2 pages.
Correspondence from Theresa Woodruff to Theda Jackson regarding a memorial for Hale Woodruff. 1 page.
A program for a memorial honoring Hale Woodruff. 5 pages.
A program for an exhibit honoring Hale Woodruff. 7 pages.
Correspondence to Richard Long from the Studio Museum regarding a retrospective of Woodruff's work. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding prints of newspaper clippings and the "'Amistad' photo." 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Stoelting's thesis. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting detailing the death of Theresa Woodruff's nephew. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Woodruff's murals at Talladega College. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Woodruff's murals at Talladega College. 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Woodruff's murals at Talladega College. 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding Woodruff's honorary doctorate from Indiana University. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting answering questions and discussing Stoelting's draft. 6 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding an honorary doctorate presented to Woodruff, and the Atlanta University Art Annuals. 6 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding a talk by Richard Long at the Studio Museum, an honorary doctorate presented to Woodruff, and Stoelting's thesis deadlines. 3 pages.
Correspondence from Theresa Woodruff to Winifred Stoelting regarding her life with Hale Woodruff including a copy of her curriculum vitae. 9 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding corrections of Stoelting's writing. 6 pages.
Correspondence from Hale Woodruff to Winifred Stoelting in which he describes a meeting with the Archives of American Art, a work being acquired by the Metropolitan Museum of Art, and his wife's education and work history. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Alain Locke and his interest in African Art and his relationship with Woodruff during the 1920s and 1930s. 3 pages.
A questionnaire filled in by Hale Woodruff in which he answers questions relating to the art and museum community in Atlanta, the dates of his marriage and son's birth, and teaching strategies. 3 pages.