The Hoyt William Fuller Collection documents his career from 1943-1981. Mr. Fuller's association with Johnson Publishing Company from the 1950's until 1976 is represented during his years as the associate editor of Ebony and as editor of Negro Digest/Black World, 1961-1976. In his capacity as editor of the leading Black literary publication in the nation, Mr. Fuller was mentor, critic, consultant and publisher to many of today's writers. He was a founder of the Organization of Black American Culture (O.B.A.C.). The famous Wall of Respect in Chicago, created by the artist workshop of O.B.A.C. in May of 1976, gave impetus to the wall mural movement of the 1960's. The papers and the correspondence, photographs and posters that document his travels in Africa, Europe and the Americas leave a collection of great clarity and great beauty. This collection will prove to be a vital link in the history of African Americans and a most important part of the development of responsible journalism in the United States.

At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at DSD@auctr.edu.
Nov 20, 2020

Hoyt William Fuller Collection

The Hoyt William Fuller Collection documents his career from 1943-1981. Mr. Fuller's association with Johnson Publishing Company from the 1950's until 1976 is represented during his years as the associate editor of Ebony and as editor of Negro Digest/Black World, 1961-1976. In his capacity as editor of the leading Black literary publication in the nation, Mr. Fuller was mentor, critic, consultant and publisher to many of today's writers. He was a founder of the Organization of Black American Culture (O.B.A.C.). The famous Wall of Respect in Chicago, created by the artist workshop of O.B.A.C. in May of 1976, gave impetus to the wall mural movement of the 1960's. The papers and the correspondence, photographs and posters that document his travels in Africa, Europe and the Americas leave a collection of great clarity and great beauty. This collection will prove to be a vital link in the history of African Americans and a most important part of the development of responsible journalism in the United States.

At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at DSD@auctr.edu.

An advertisement for a subscription to Black World.
Unidentified people look at a painting in Dakar, Senegal.
Hoyt William Fuller Collection
Gwendolyn Brooks stands in a crowd of adults and children at a book autograph party. Written on verso: Autograph Party for Gwen Brooks Chicago. '71.
Hoyt William Fuller Collection
Gwendolyn Brooks stands in a crowd with drums and a painting at a book autograph party. Written on verso: Photo by Normal L. Hunter Autograph Party for Gwen Brooks [Chicago]. '71
Hoyt William Fuller Collection
Carole Parks sits in an office and smiles.
Hoyt William Fuller Collection
Carole Parks sits in an office and smiles.
Hoyt William Fuller Collection
Carole Parks sits in an office and smiles.
Hoyt William Fuller Collection
Carole Parks stands in an office and smiles.
Hoyt William Fuller Collection
Carole Parks stands in an office and smiles.
Hoyt William Fuller Collection
Carole Parks sits at a desk.
Hoyt William Fuller Collection
Charles Hurst, Betty Shabazz, and Don L. Lee greet each other at Malcom X College in Chicago. Written on verso: Charles Hurst Betty Shabazz Don L. Lee at Malcom X College Chicago
Correspondence between Bertha Klausner and Hoyt Fuller about Black World.
Correspondence between Edmund B. Gaither and Hoyt Fuller about including work by Black artists in the new Johnson Publishing Company building.
Correspondence between Herbert Temple and Robert Black Burn about including work by Black artists in the new Johnson Publishing Company building.
Correspondence between Hoyt Fuller and Della Brown Taylor about including work by Black artists in the new Johnson Publishing Company building.
Correspondence between Hoyt Fuller and Edward Spriggs about including work by Black artists in the new Johnson Publishing Company building.
Correspondence between Hoyt Fuller and John H. Johnson about the 58th Annual Conference of Association for Study of Afro-American Life & History.
A letter to Hoyt Fuller from Kharlos about receiving back copies of Black World.
Correspondence between Hoyt Fuller and Vincent Harding about brief statements on Paul Robeson and the NAACP's position on Energy.
Correspondence between Hoyt Fuller to John H. Johnson about reporting on Africa.
Correspondence between Hoyt W. Fuller and John H. Johnson about giving Carole Parks permission to cover the Black Musicians Conference at University of Massachusetts.
A letter to Hoyt Fuller from John H. Johnson thanking him for his time spent at the Johnson Publishing Company.
Correspondence between John Johnson and Hoyt Fuller about a story in JET magazine.
Correspondence between John Johnson and Hoyt Fuller about Negro Digest.
Correspondence between Michael Korda and Bertha Klausner about a proposal for "The Best of Black World Magazine."
Correspondence between Marie D. Brown to Bertha Klausner about the "Best of Black World."
Correspondence to the Negro Digest from Goodwin Watson about the Negro Digest.
Hoyt Fuller stands holding copies of "Die Nigger Die!" and "Black Skin White Masks" in a library.
Hoyt William Fuller Collection
Proof sheet Hoyt Fuller and an unidentified woman working at a typewriter.
Hoyt William Fuller Collection
Proof sheet of Hoyt Fuller sitting and standing in a library.
Hoyt William Fuller Collection
Hoyt Fuller[?] reviews a magazine in an office. Written on verso: 9/29/66.
Hoyt William Fuller Collection
An advertisement for Black World.
Hoyt William Fuller Collection
An inter-office memo about Carole Park's request for a raise.
Hoyt William Fuller Collection
Margaret Burroughs stands in front of a painting with others. Written on verso: By Normal L. Hunter Jet Magazine.
Hoyt William Fuller Collection
A memo sent to John H. Johnson from Carole A. Parks about a raise.
Hoyt William Fuller Collection
An advertisement for Black World.
Hoyt William Fuller Collection
Murry DePillars sits and smiles in a office.
Hoyt William Fuller Collection
Murry DePillars sits and smiles in a office.
Hoyt William Fuller Collection
Murry DePillars sits and smiles in a office.
Hoyt William Fuller Collection
An article about Black publications.
Hoyt William Fuller Collection
A note about an article in Ebony.
Hoyt William Fuller Collection
A program booklet for an opening ceremony.
Hoyt William Fuller Collection
A newspaper clipping about the Johnson Publishing Company.
Hoyt William Fuller Collection
Sonia Sanchez and Hoyt Fuller at a gathering.
Hoyt William Fuller Collection
An article about John H. Johnson.
A poem written for Hoyt Fuller.
Hoyt William Fuller Collection
Proof sheet of Toni Morrison images. Written on verso: T Morrison Gwen Brooks. Archives does not hold the negatives.
Hoyt William Fuller Collection
Two unidentified men stand in an office.
Hoyt William Fuller Collection
An unidentified man reads a copy of Black World in a library.
Hoyt William Fuller Collection
Two unidentified people work in an office surrounded by books.
Hoyt William Fuller Collection