The Hoyt William Fuller Collection documents his career from 1943-1981. Mr. Fuller's association with Johnson Publishing Company from the 1950's until 1976 is represented during his years as the associate editor of Ebony and as editor of Negro Digest/Black World, 1961-1976. In his capacity as editor of the leading Black literary publication in the nation, Mr. Fuller was mentor, critic, consultant and publisher to many of today's writers. He was a founder of the Organization of Black American Culture (O.B.A.C.). The famous Wall of Respect in Chicago, created by the artist workshop of O.B.A.C. in May of 1976, gave impetus to the wall mural movement of the 1960's. The papers and the correspondence, photographs and posters that document his travels in Africa, Europe and the Americas leave a collection of great clarity and great beauty. This collection will prove to be a vital link in the history of African Americans and a most important part of the development of responsible journalism in the United States.

At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at DSD@auctr.edu.
Nov 20, 2020

Hoyt William Fuller Collection

The Hoyt William Fuller Collection documents his career from 1943-1981. Mr. Fuller's association with Johnson Publishing Company from the 1950's until 1976 is represented during his years as the associate editor of Ebony and as editor of Negro Digest/Black World, 1961-1976. In his capacity as editor of the leading Black literary publication in the nation, Mr. Fuller was mentor, critic, consultant and publisher to many of today's writers. He was a founder of the Organization of Black American Culture (O.B.A.C.). The famous Wall of Respect in Chicago, created by the artist workshop of O.B.A.C. in May of 1976, gave impetus to the wall mural movement of the 1960's. The papers and the correspondence, photographs and posters that document his travels in Africa, Europe and the Americas leave a collection of great clarity and great beauty. This collection will prove to be a vital link in the history of African Americans and a most important part of the development of responsible journalism in the United States.

At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at DSD@auctr.edu.

An advertisement for a subscription to Black World.
Unidentified people look at a painting in Dakar, Senegal.
Hoyt William Fuller Collection
Gwendolyn Brooks stands in a crowd of adults and children at a book autograph party. Written on verso: Autograph Party for Gwen Brooks Chicago. '71.
Hoyt William Fuller Collection
Gwendolyn Brooks stands in a crowd with drums and a painting at a book autograph party. Written on verso: Photo by Normal L. Hunter Autograph Party for Gwen Brooks [Chicago]. '71
Hoyt William Fuller Collection
Carole Parks sits in an office and smiles.
Hoyt William Fuller Collection
Carole Parks sits in an office and smiles.
Hoyt William Fuller Collection
Carole Parks sits in an office and smiles.
Hoyt William Fuller Collection
Carole Parks stands in an office and smiles.
Hoyt William Fuller Collection
Carole Parks stands in an office and smiles.
Hoyt William Fuller Collection
Carole Parks sits at a desk.
Hoyt William Fuller Collection
Charles Hurst, Betty Shabazz, and Don L. Lee greet each other at Malcom X College in Chicago. Written on verso: Charles Hurst Betty Shabazz Don L. Lee at Malcom X College Chicago
Correspondence between Bertha Klausner and Hoyt Fuller about Black World.
Correspondence between Edmund B. Gaither and Hoyt Fuller about including work by Black artists in the new Johnson Publishing Company building.
Correspondence between Herbert Temple and Robert Black Burn about including work by Black artists in the new Johnson Publishing Company building.
Correspondence between Hoyt Fuller and Della Brown Taylor about including work by Black artists in the new Johnson Publishing Company building.
Correspondence between Hoyt Fuller and Edward Spriggs about including work by Black artists in the new Johnson Publishing Company building.
Correspondence between Hoyt Fuller and John H. Johnson about the 58th Annual Conference of Association for Study of Afro-American Life & History.
A letter to Hoyt Fuller from Kharlos about receiving back copies of Black World.
Correspondence between Hoyt Fuller and Vincent Harding about brief statements on Paul Robeson and the NAACP's position on Energy.
Correspondence between Hoyt Fuller to John H. Johnson about reporting on Africa.