Correspondence from Theresa Woodruff to Hallie Brooks regarding a memorial for Hale Woodruff. 2 pages.
Correspondence from Theresa Woodruff to Theda Jackson regarding a memorial for Hale Woodruff. 1 page.
A program for a memorial honoring Hale Woodruff. 5 pages.
A program for an exhibit honoring Hale Woodruff. 7 pages.
Correspondence to Richard Long from the Studio Museum regarding a retrospective of Woodruff's work. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding prints of newspaper clippings and the "'Amistad' photo." 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Stoelting's thesis. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting detailing the death of Theresa Woodruff's nephew. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Woodruff's murals at Talladega College. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Woodruff's murals at Talladega College. 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Woodruff's murals at Talladega College. 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding Woodruff's honorary doctorate from Indiana University. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting answering questions and discussing Stoelting's draft. 6 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding an honorary doctorate presented to Woodruff, and the Atlanta University Art Annuals. 6 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding a talk by Richard Long at the Studio Museum, an honorary doctorate presented to Woodruff, and Stoelting's thesis deadlines. 3 pages.
Correspondence from Theresa Woodruff to Winifred Stoelting regarding her life with Hale Woodruff including a copy of her curriculum vitae. 9 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding corrections of Stoelting's writing. 6 pages.
Correspondence from Hale Woodruff to Winifred Stoelting in which he describes a meeting with the Archives of American Art, a work being acquired by the Metropolitan Museum of Art, and his wife's education and work history. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting discussing Alain Locke and his interest in African Art and his relationship with Woodruff during the 1920s and 1930s. 3 pages.
A questionnaire filled in by Hale Woodruff in which he answers questions relating to the art and museum community in Atlanta, the dates of his marriage and son's birth, and teaching strategies. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting asking for extra copies of material Woodruff sent to Stoelting. He also mentions the acquisition of one of his paintings by the Metropolitan Museum of Art. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting in which Woodruff discusses courage and mentions Clarence Bacote. 3 pages.
A questionnaire filled in by Hale Woodruff in which he answer questions relating to his move from Indianapolis to Paris. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting congratulating Stoelting on her teaching position, and discussing his health. 7 pages.
Correspondence from Hale Woodruff to Winifred Stoelting in which he discusses his health and the donation of his papers to the Archives of American Art. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding Woodruff's collection of African Art. 2 pages.
A dissertation written by Winifred L. Stoelting about the life and work of Hale Woodruff. 338 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding articles written by Woodruff. 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding tapes, slides, and copies of his work. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting describing Woodruff's thoughts on the term "Primitive" in Art Criticism. 6 pages.
Correspondence from Hale Woodruff to Winifred Stoelting describing Woodruff's thoughts on Primitivism in relation to African Art. 7 pages.
A questionnaire filled in by Hale Woodruff in which he answer questions relating to painting titles, dates, and locations. 6 pages.
Correspondence from Hale Woodruff to Winifred Stoelting describing Woodruff's thoughts on Classicism versus Romanticism. 5 pages.
Transcript of a taped recording of Hale Woodruff describing his time in France. 11 pages.
Correspondence from Hale Woodruff to Winifred Stoelting in which he discusses tape recordings and describes the differences and similarities between Atlanta, Georgia and France. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting in which Woodruff discusses the Art of the Negro murals. 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding tape recordings. 1 page.
Correspondence from Hale Woodruff to Winifred Stoelting in which he discusses slides of his work. 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting in which he discusses struggling with tape recordings, slides of his work, and his "less than menial jobs". 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting describing the odd jobs Woodruff worked while in Indianapolis. 5 pages.
Correspondence from Hale Woodruff to Winifred Stoelting describing his friendships and time in France. 10 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding his time in Atlanta. Woodruff mentions the Amistad murals and his former student and assistant, Robert Neal. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding his time in Indianapolis. 11 pages.
Heyward Oubre, interviewed by Winifred Stoelting, June 29, 1977
Correspondence from Hale Woodruff to Winifred Stoelting regarding research materials stored at the Archives of American Art. 3 pages.