Hale Aspacio Woodruff was a renowned artist and educator, attending the John Herron Art School in Indianapolis, Indiana; the Chicago Art Institute; Academie Moderne and Academie Scandinave in Paris, France; Fog Art Museum of Harvard University; and studying in Mexico with Diego Rivera. Woodruff began his teaching career at Atlanta University in 1931 helping to develop an art curriculum and build a strong faculty. Among his most noted achievements was the establishment of the Atlanta University Annual Exhibition of Paintings, Sculpture and Prints by Negro Artists, a national competition for new and established artists, held from 1942 through 1970. Woodruff left Atlanta University in 1946 to accept a position at New York University, where he retired in 1967. Among his most outstanding works are the murals - <em>The Amistad Mural</em>, and <em>The Founding of Talladega College</em>, Talladega College, Alabama, <em>The Art of the Negro</em>, Atlanta University, Georgia, <em>The Golden State Mural</em>, Golden State Mutual Life Insurance Company, California. This small collection about Hale Woodruff is primarily materials accumulated by Winifred Stoelting in doing research for her dissertation, <em>Hale Woodruff, Artist and Teacher: Through the Atlanta Years, Emory University</em>, 1978. Upon completion of the dissertation, Dr. Stoelting donated her research materials to the Atlanta University Trevor Arnett Library Negro Collection.

At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at DSD@auctr.edu.
Oct 22, 2020

Hale Woodruff Collection

Hale Aspacio Woodruff was a renowned artist and educator, attending the John Herron Art School in Indianapolis, Indiana; the Chicago Art Institute; Academie Moderne and Academie Scandinave in Paris, France; Fog Art Museum of Harvard University; and studying in Mexico with Diego Rivera. Woodruff began his teaching career at Atlanta University in 1931 helping to develop an art curriculum and build a strong faculty. Among his most noted achievements was the establishment of the Atlanta University Annual Exhibition of Paintings, Sculpture and Prints by Negro Artists, a national competition for new and established artists, held from 1942 through 1970. Woodruff left Atlanta University in 1946 to accept a position at New York University, where he retired in 1967. Among his most outstanding works are the murals - The Amistad Mural, and The Founding of Talladega College, Talladega College, Alabama, The Art of the Negro, Atlanta University, Georgia, The Golden State Mural, Golden State Mutual Life Insurance Company, California. This small collection about Hale Woodruff is primarily materials accumulated by Winifred Stoelting in doing research for her dissertation, Hale Woodruff, Artist and Teacher: Through the Atlanta Years, Emory University, 1978. Upon completion of the dissertation, Dr. Stoelting donated her research materials to the Atlanta University Trevor Arnett Library Negro Collection.

At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at DSD@auctr.edu.

For:
  • Subjects = Art
Correspondence from Theresa Woodruff to Hallie Brooks regarding a memorial for Hale Woodruff. 2 pages.
Correspondence from Theresa Woodruff to Theda Jackson regarding a memorial for Hale Woodruff. 1 page.
A program for a memorial honoring Hale Woodruff. 5 pages.
A program for an exhibit honoring Hale Woodruff. 7 pages.
Correspondence to Richard Long from the Studio Museum regarding a retrospective of Woodruff's work. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding a talk by Richard Long at the Studio Museum, an honorary doctorate presented to Woodruff, and Stoelting's thesis deadlines. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting asking for extra copies of material Woodruff sent to Stoelting. He also mentions the acquisition of one of his paintings by the Metropolitan Museum of Art. 4 pages.
A questionnaire filled in by Hale Woodruff in which he answer questions relating to his move from Indianapolis to Paris. 3 pages.
Correspondence from Hale Woodruff to Winifred Stoelting congratulating Stoelting on her teaching position, and discussing his health. 7 pages.
Correspondence from Hale Woodruff to Winifred Stoelting in which he discusses his health and the donation of his papers to the Archives of American Art. 4 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding Woodruff's collection of African Art. 2 pages.
A dissertation written by Winifred L. Stoelting about the life and work of Hale Woodruff. 338 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding articles written by Woodruff. 2 pages.
Correspondence from Hale Woodruff to Winifred Stoelting describing Woodruff's thoughts on the term "Primitive" in Art Criticism. 6 pages.
Correspondence from Hale Woodruff to Winifred Stoelting describing Woodruff's thoughts on Primitivism in relation to African Art. 7 pages.
Correspondence from Hale Woodruff to Winifred Stoelting describing Woodruff's thoughts on Classicism versus Romanticism. 5 pages.
Transcript of a taped recording of Hale Woodruff describing his time in France. 11 pages.
Correspondence from Hale Woodruff to Winifred Stoelting regarding research materials stored at the Archives of American Art. 3 pages.
A booklet describing the "Art of the Negro" murals and containing information about Hale Woodruff. 9 pages.
Correspondence from Hale Woodruff to Millicent Jordan regarding a visit to Atlanta. 2 pages.